LIGHT OF GRACE
History of art has altered our perception of female identity and continues to influence contemporary portraiture. The idea of the female nude itself is charged with tradition and spiritual connotations. Light of Grace explores a distorted reality of ideals and conflicting notions of the sacred and the erotic, in a study that found inspiration from the first depiction of the nude. In the Bible, Adam and Eve were at first described as “nude”, yet dressed with the love of God – “The Light of Grace”. When Eve submits to temptation however, they become “naked”. The project title references this search for a definition of what constitutes the nude and its dual nature. The transition between the veiled and unveiled bodies therefore acts as a barometer within the project.
IDEALS OF BEAUTY
The decision to focus on younger women is drawn from Old Masters’ paintings that I reference. The beauty of youth has fascinated for centuries and paintings by Cranach, Ingres or Botticelli present models that were re-imagined to comply with the ideals of beauty of their time, which is just as relevant within photography today. The project therefore aims to address the motives of representation and its formatting.
Simulating a fading memory, the soft focus in my images is created directly through the lens, offering my subjects a veil of intimacy and a space for expression. This process presents only the evocation of the character until a particular ‘type’ transpires: The bodies on display are either seducing and inviting or coldly conservative. Even if the referenced painter is not obvious to everyone, each viewer projects a different idea of the feminine cult onto the image.
The hazy photographs also remind us of the many possible definitions of beauty; indeed, as abstract art has stated, beauty doesn’t reside in the object itself but in the sensory experience that the object elicits, therefore challenging our appreciation of the female form. In that sense, the project also aims to connect very different art movements: Renaissance art, Classicism, Pre-Raphaelites, and Abstraction.
The proliferation of images has forced our eye to recognise, which in turn sustains consumption. It is rare for us to contemplate nowadays. Instead, we readily absorb the ideas we are fed. At first the blur in Light of Grace disturbs our eye, like an image that hasn’t fully loaded; but contemplation naturally occurs and we start seeing other images within it, triggering a chain reaction of ideas.